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It was not intentional, but there was always this question that I have had since I was very young. Joko Anwar: It has been a recurring theme in all my movies, I think, even the superhero one. This interview has been lightly edited for concision and clarity purposes.ĬBR: In your remake of both Satan's Slaves and The Queen of Black Magic, and especially in your original film Impetigore, you center your tales on motherhood, and especially pregnancy. RELATED: Fear Street: 8 Folk Horror Films to Watch If You Enjoy Netflix's RL Stine Trilogy For those who want to delve deeper into Indonesian cinema, he also gave some recommendations for fans to explore. In an exclusive interview with CBR, Anwar spoke about why he feels so drawn to showcasing abandoned children and motherhood in his horror films. More often than not, Anwar will ground his tragic tales on pregnant women and orphaned children. Throughout his films, Anwar never fails to spotlight strong and, often, terrorized women in his work, as both final girls and final act monsters. In 2017, he put his own spin on 1982's Pengabdi Setan, aka Satan's Slaves. Then, in early 2021, Shudder also acquired The Queen of Black Magic, which he wrote based on the 1981 cult gem of the same name, albeit with some huge improvements to its scares and the beating heart behind all its bug-crawling terror.Īnwar is no stranger to revamping what would now be considered by some as "cult classic Indonesian horror films," even if their audiences at the time would rival those of the U.S. streaming rights to his masterful film Impetigore.
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In 2020, the horror streaming platform acquired the U.S. Indonesian horror writer and director Joko Anwar's work has successfully crossed over to the U.S., in part, due to Shudder.